Literati Culture in Pre-Modern China

Premodern Chinese literati have long been regarded as active historical agents who shaped “This Culture of Ours”—a metonym for civilization in the premodern Sinitic context—while they also fed from, partook in, and influenced popular and foreign cultures. Besides “literary writings” like poetry and prose, literati also engaged in calligraphy, painting, and antiquarianism under the umbrella term of “literary or cultural arts.” In turn, the creation and appreciation of artwork were intrinsic to the aesthetic life of literati community and further established their self-identity. At the same time, social exclusivity, (self-)doubt and identity crises, along with the looming threat of cultural decline, have continually haunted this literati community throughout the ages.

Covering the long trajectory of imperial China, this course reveals the birth and development of literati culture. In particular, we take an interdisciplinary approach, introducing intellectual and poetic discourses, socio-historical contexts, literary criticism, visual and material culture, to envision a “common ground” for their civil world. Textual, visual sources plus material objects are meant to have conversations with each other in this course. Important issues include historical transformations of the elite class, cultural geography in different eras, materiality and visuality of elite calligraphy and painting, literati self-expression through aesthetic practice, the roles of the court and literati in producing and preserving art, as well as other relevant issues such as gender studies, vernacular literature, and commodity society.

This course is cross-listed in AMEC and CPLT. For undergraduates, no background in Chinese language is required in this course, and all reading materials—either translation of primary sources or secondary scholarship—are accessible in English.