Problems in Kano Painting

The graduate seminar “Problems in Kano Painting,” is a graduate seminar offered periodically to investigate the hereditary lineage of painters that dominated the field of painting in Japan’s late medieval and early modern eras. This semester we will begin with the work of Kano Motonobu and his grandson Eitoku, but will spend most of our time focused on their descendants at the turn of the seventeenth century, particularly Kano Sanraku and Kano Sansetsu. The seminar address the question of how this clan of painters managed to secure its position as official painters to Japan’s rulers for nearly three centuries—a phenomenon unique in the history of art. We will also explore such topics as the ways in which it expanded its painting repertoire beyond its origins in monochrome ink painting, what is meant by an “academic” painting tradition in the Japanese context, its systems of training, promotion, and the economics of their enterprise, and the institutionalization of the Kano project through the writing of art historical treatises.