The Face on Film

Illuminated, exposed, projected, magnified—the cinematic face is at once spectacular and mysterious, commanding and vulnerable, an inexhaustible object of wonder. The seminar will explore the workings of the human face as privileged object of representation, as figure of subjectivity, as mode and ethic of address through film theory and practice. How has the technological, mass-circulating art of the moving image mediated this singular entity—this visual incarnation of the person? How did it confront its mythic and iconic resonance, its charge of identity and identification, its revelatory and masking play of expression, its social, racial, and affective registers? Among filmmakers and writers who inform our discussion: Roland Barthes, Mary Ann Doane, Carl-Theodor Dreyer, Jean Epstein, Buster Keaton, Alfred Hitchcock, Emmanuel Levinas, Claude Lévi-Strauss, James Baldwin, Andy Warhol, Gilles Deleuze, and others.